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  • 剧情片调音师(短片)

    主演:格雷戈瓦·勒普兰斯-林盖 达尼埃莱·莱布伦 格莱高利·嘉德波瓦 埃默琳·格 Nicolas Bimont Guy Conrad Nicole David Christiane Guillon Micheline Levchin Jacques Treiner 

    导演:奥利维耶·特雷内

    简介:  阿德里安(Grégoire Leprince-Ringuet 饰)是一个学习钢琴已有15年之久的天才钢琴家,可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成,人生跌落谷底。经过一段时间调整,阿德里安重新振作,成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜,这会让别人认为他听觉方面更加敏锐,并由此得到更多的同情和消费,甚至还会窥视到别人的生活与隐私,他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天,他来到一户人家工作,殊不知这里刚刚发生一起凶案……  本片荣获2011年卢纹(Leuven)国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。

  • 爱情片屋顶上的轻骑兵

    主演:朱丽叶·比诺什 奥利维埃·马丁内斯 皮埃尔·阿迪提 弗朗索瓦·克鲁塞 让·雅南 克劳迪奥·阿门多拉 伊莎贝尔·卡雷 卡洛·切基 克里斯蒂亚娜·科昂迪 雅克·塞雷 纳塔莉·克雷布 劳拉·马里诺尼 伊丽莎白·马尔戈尼 友兰达·梦露 克里斯多夫·奥顿特 埃尔韦·皮埃尔 达尼埃尔·鲁索 理查德·塞梅尔 让-马利·文灵 保罗·弗里曼 

    导演:让-保罗·拉佩诺

    简介:  十九世纪中期,意大利正处在奥匈帝国水深火热的统治中。为了解放祖国,轻骑兵上教安吉罗(奥利维•马丁内兹 Olivier Martinez 饰)密谋发动暴动推翻殖民统治,然而却因计划外漏而不得不流亡法国。因为儿时好友的出卖,安吉罗在法国受到了奥地利间谍的追杀。逃亡中的安吉罗无意闯进了法国的一个瘟疫区,那里哀鸿遍野,人们近乎疯狂。当地人认为是安吉罗投的毒药,安吉罗无端又成了追捕的对象。  一天,安吉罗无意中从屋顶掉到了一间阁楼里,偶遇了与丈夫失散了的女子宝林娜(朱丽叶•比诺什 Juliette Binoche 饰)。得知宝林娜现在处境艰难时,安吉罗决心帮助她找回她的丈夫。当他们在疫区穿行时,宝林娜不幸身染疫症……

  • 喜剧片晚餐游戏

    主演:蒂埃里·莱尔米特 雅克·维列雷 弗朗索瓦·乌斯特 丹尼尔·普雷沃 Alexandra Vandernoot 凯瑟琳·弗洛 Benoît Bellal Jacques Bleu 菲利普·布里戈德 Michel Caccia Laurent Gendron Mykhaël Georges-Schar 埃德加·吉夫里 Pierre-Arnaud Juin Daniel Martin 雷米·罗巴汉 达尼埃 

    导演:弗朗西斯·韦贝尔

    简介:  一班自命不凡、高人一等的狐朋狗友,相约星期三晚举行“白痴晚宴”。规则非常简单,即是各人只须携一名“白痴之最”共赴晚餐,便能获得丰富奖品。参与者之一皮埃尔(蒂埃里·莱尔米特 Thierry Lhermitte饰)打算带着新认识的皮侬(雅克·维列雷 Jacques Villeret饰)赴宴。皮埃尔本以为这个看似傻里傻气的皮侬,一定是最佳人选。然而他的如意算盘却完全落空,皮侬把关系颠倒了过来,反而让皮埃尔变成了被整的对象。于是,一场笑料百出的乌龙事情接踵发生。  这部由法兰西斯·威柏编剧执导的喜剧电影《晚餐游戏》,改编自他写于1993年的舞台剧《假凤虚凰》。一波三折的喜剧情节和极具颠覆性的疯狂笑料,使得本片叫好又叫座。一举拿下1999年第24届凯撒奖,最佳男演员、最佳男配角和最佳剧本(原创或改编)大奖。

  • 剧情片阿诺德·勋伯格电影配乐介绍

    主演:Günther Peter Straschek 达尼埃尔·于伊耶 彼得·奈斯勒 

    导演:让-马里·斯特劳布

    简介:  RFA/1972/15‘/VOSTF/16mm  d'après « I cani del Sinaï » de Franco Fortini.

  • 剧情片马霍卡-莫夫

    主演:Erich Kuby Renate Lang Guenther Strupp Rolf Thiede 

    导演:让-马里·斯特劳布,达尼埃尔·于伊耶

    简介:  Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."  In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.

  • 喜剧片从今天到明天

    主演:内详 

    导演:达尼埃尔·于伊耶,让-马里·斯特劳布

    简介:  Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

  • 剧情片共产主义者

    主演:Franco Fortini 达尼埃尔·于伊耶 让-马里·斯特劳布 

    导演:让-马里·斯特劳布

    简介:  81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Kommunisten consists of six parts, five of which have been taken from his earlier works. Straub does not aim to be self-reverential, but instead wants to make different blocks (of text, time, and languages) clash so as to highlight invisible elements of feelings and politics. It is a film about human adventure, from the past century to the one ahead. In this project, all the things that the films of Jean-Marie Straub and Danièle Huillet have been based on for the past fifty years, find their most raw and recent form.

  • 剧情片西西里岛

    主演:Gianni Buscarino Angela Nugara Vittorio Vigneri 

    导演:达尼埃尔·于伊耶,让-马里·斯特劳布

    简介:  一如他曾把卡夫卡小說幾乎「抽象」化,也把巴哈女士日記拍得如此地貼近音樂而非文字,Straub的這種風格,除了執拗地延續像MoulletGarrel這些新浪潮好友的「極簡」手法之外,也算是為自己的「藝術」捍衛的極高體現。  看來,我還得回頭去看一下Pedro Costa為「我們時代的電影」系列,為這兩夫妻拍的那一集吧,或許,我才真正能向他們更靠近一些(到底是Costa像他們而找他拍,還是Costa本身確實受到兩夫妻的影響,而得到真髓,所以找來對他們最有研究的創作者來拍呢?這我們就不得而知了)?

  • 剧情片塞琳娜

    主演:伊莎贝尔·帕斯科 María Luisa García 达尼埃莱·莱布伦 

    导演:让-克洛德·布里索

    简介:  孤儿塞琳娜(伊莎贝尔·帕斯科饰)继承了她养父的大部分遗产,每天都要承受着她昔日继母的强烈不满。为了求得安宁,她放弃了所继承遗产的一部分,因此,骗色骗财的男友离开了她。于是,塞琳娜感到被遗弃而生活孤单,人生毫无价值。塞琳娜迈上了自杀之路。被救起后,护士热娜维耶芙(莉莎·埃雷迪亚饰)打破各种工作常规,介入到塞琳娜的生活中,积极劝说塞琳娜加入到她的瑜伽教学里来,意图通过瑜伽练习恢复塞琳娜的稳定,使其尽快脱离抑郁症的侵扰。尽管热娜维耶芙发现这对塞琳娜有明显的效果,而塞琳娜的神秘体验也微微触动了灵魂上感情的复苏,但不知为什么,热娜维耶芙的愿望并未实现......

  • 剧情片索福克勒斯的安提戈涅

    主演:Astrid Ofner Ursula Ofner Hans Diehl Kurt Radeke Michael Maassen Rainer Philippi Werner Rehm Lars Studer Stephan Wolf-Schönburg Albert Hetterle Mario di Mattia 迈克尔·柯尼希 利布加特·施瓦茨 

    导演:达尼埃尔·于伊耶,让-马里·斯特劳布

    简介:  法国导演情侣组合斯特劳布-于伊耶与1991年将索福克勒斯的希腊悲剧《安提戈涅》搬上银幕,文本上采用了德国浪漫主义诗人荷尔德林的著名翻译,版本上则依照布莱希特40年代的改编,拍摄地点是西西里岛上塞杰斯塔的一座古罗马剧院遗址,拍摄时阳光明媚。影片背后文本的多层厚度赋予了本片以极强的现时性:就在拍摄当年的夏天,美军对伊拉克发起了第一轮进攻。这是一部关于教育公民不服从的作品。

  • 剧情片没有和解

    主演:Heinrich Hargesheimer Carlheinz Hargesheimer Martha Staendner 达尼埃尔·于伊耶 Henning Harmssen Ulrich Hopmann Joachim Weiler Eva-Maria Bold Hiltraud Wegener Ulrich von Thüna Ernst Kutzinski Karl Bodenschatz  

    导演:让-马里·斯特劳布,达尼埃尔·于伊耶

    简介:  The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

  • 剧情片阶级关系

    主演:Christian Heinisch Nazzareno Bianconi 马里奥·阿多夫 劳拉·贝蒂 哈伦·法罗基 

    导演:达尼埃尔·于伊耶,让-马里·斯特劳布

    简介:  改编自卡夫卡未完成的长篇小说《美国》,但其关注的并非真实的美国,更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国,然而他无法摆脱欧洲大陆旧式习惯,更糟的是,欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合:中景固定机位,面无表情的演员,人物肢体和语言刻意僵硬,强调侧面特写,镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。

  • 剧情片恩培多克勒之死

    主演:威廉姆·伯格 Georg Brintrup 霍华德·沃侬 

    导演:达尼埃尔·于伊耶,让-马里·斯特劳布

    简介:  The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.  The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,  the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.  Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.

  • 剧情片工人,农民

    主演:内详 

    导演:达尼埃尔·于伊耶,让-马里·斯特劳布

    简介:  "Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide  "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson  "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

  • 喜剧片坏种1934

    主演:达尼埃尔·达里约 皮埃尔·曼冈 Raymond Galle Paul Escoffier 米歇尔·迪朗 让·瓦尔 Marcel Maupi Paul Velsa Georges Malkine Georges Cahuzac Gaby Héritier 

    导演:Alexander Esway,比利·怀尔德

    简介:  比利·怀德导演的第一部电影

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